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Introduction Great Traditions Andre Bazin |
Film & Film Theory
Film can be studied on many levels--as an art form, social commentary, historic record, reflection of the Zeitgeist of an era or culture, a philosophical or spiritual experience, or pure entertainment. The sources listed below are intended as mere introductions to various aspects of modern cinema. Included are general "factual" guides to the history of film making, works on the films of various cultures plus several somewhat theoretical (and a bit esoteric) collections of essays on film theory. For serious students of film, the first two books listed on the Books page are probably the best places to start. Aitken's book is also recommended. Film theory is only for the brave-of-mind. It is a daunting field of study, with literally hundreds of perspectives, based upon everything from theories of language and cognition, to Marxist views of reality, theories of psychology, you name it. One year psychological readings of film are "in," the next year they are "out." The last two sites listed on the On the Web page are excellent resources. INTRODUCTORY ARTICLES (direct links)
Jenkin, Deborah. "Revolution in Film Theory." Lecture from "Film Theory & World Cinema." University of Canberra. 1997. 5 March 2004 (introductiontofilmtheory.doc) Murphy, Paula. "Psychoanalysis and Film Theory Part 1:
‘A New Kind of Mirror’." Kritikos Volume 2, February 2005. Florida State University.
5 January 2006(http://garnet.acns.fsu.edu/~nr03/Psychoanalysis%20and%20Film%20Theory%20Part%201.htm) Quigley, T.R.. “Freudian, Lacanian and Object Relations Theory.” 1998 Excellent brief overview of the theories of Freud and Lacan. Good background for any psychological reading of a novel or film.
Totaro, Donato. "André Bazin Revisited
André Bazin: Part 1, Film Style Theory in its Historical Context." Offscreen.com. July 31, 2003.
Mulvey, Laura. "Visual Pleasure and Narrative Cinema." This is Laura Mulvey's landmark essay on the male gaze in film. Originally published in Screen (V6 #3: Autumn 1975), it has been republished in many film studies anthologies. Skjerdal, Terje. "Laura Mulvey Against the Grain: A Critical Assessment of the Psychoanalytic Feminist Approach to Film." Centre for Cultural Studies, University of Natal, 1997. A counter argument to Mulvey's theories (with an interesting reference to Thelma and Louise . Also see links to the classic feminist theorists listed under Literary Theory (click here).
Horton, Andrew James. "Russian and Soviet Cinema, 1896 - 1953: The Beginnings to the Death of Stalin." GreenCine. 2005. 5 March 2009. (http://www.greencine.com/static/primers/early-russia-1.jsp)
"Eisenstein's Montage." Humanities Advanced Technology and Information Institute. University of Glasgow. 1999.
Armstrong, Richard. "Social Realism: The most 'typically British' of all film genres." ScreenOnline. British Film Institute. 2003. Good brief overview with list of the classic Brit Grit films.
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